Photo 32807
Notes
Posted 1 day ago
Zoom

(Source: mylifeasastickperson)

via janisonfire
Video 4370
Notes
Posted 1 day ago

bucketofplans:

put flowers in @hipsterjeff’s beard today

via fancybidet
Photo 1561
Notes
Posted 2 days ago

(Source: evrythingis)

via republicoflabia
Video 106240
Notes
Posted 4 days ago

godosaurus:

Can we start playing this?

NO!

(Source: halliebadger)

via godosaurus
Photo 1703
Notes
Posted 4 days ago

(Source: gifmovie)

via catladysoul
Photo 68
Notes
Posted 1 week ago
timetranscends: Cindy Sherman, Untitled Film Stills, 1977-1980. In the Untitled Film Stills there are no Cleopatras, no ladies on trains, no women of a certain age. There are, of course, no men. The sixty-nine solitary heroines map a particular constellation of fictional femininity that took hold in postwar America—the period of Sherman’s youth, and the ground-zero of our contemporary mythology. In finding a form for her own sensibility, Sherman touched a sensitive nerve in the culture at large. Although most of the characters are invented, we sense right away that we already know them. That twinge of instant recognition is what makes the series tick, and it arises from Cindy Sherman’s uncanny poise. There is no wink at the viewer, no open irony, no camp. As Warhol said, “She’s good enough to be a real actress.”  Zoom

timetranscends:

Cindy Sherman, Untitled Film Stills, 1977-1980.

In the Untitled Film Stills there are no Cleopatras, no ladies on trains, no women of a certain age. There are, of course, no men. The sixty-nine solitary heroines map a particular constellation of fictional femininity that took hold in postwar America—the period of Sherman’s youth, and the ground-zero of our contemporary mythology. In finding a form for her own sensibility, Sherman touched a sensitive nerve in the culture at large. 

Although most of the characters are invented, we sense right away that we already know them. That twinge of instant recognition is what makes the series tick, and it arises from Cindy Sherman’s uncanny poise. There is no wink at the viewer, no open irony, no camp. As Warhol said, “She’s good enough to be a real actress.” 

via catladysoul
Photo 6712
Notes
Posted 1 week ago

(Source: cheapwhoreswithflaws)

via fatitude
Photo 2
Notes
Posted 1 week ago
Emily asked me if as a child I had one of these balls with the tails, and I was like, no, I’m pretty sure they are pet toys.  So I googled it, and they are.  Emily’s parents bought her pet toys and she played with them. Zoom

Emily asked me if as a child I had one of these balls with the tails, and I was like, no, I’m pretty sure they are pet toys.  So I googled it, and they are.  Emily’s parents bought her pet toys and she played with them.

Photo 1369
Notes
Posted 1 week ago
Zoom
via owls-love-tea
Link 16
Notes
Posted 1 week ago

Global Comment: A Study in Pink: Sherlock and Steven Moffat’s Woman Problem

Sherlock is, in a way, ideally suited to Moffat’s personality and writing abilities. The creator doesn’t seem to understand women, has trouble crafting female characters, and is utterly baffled when audiences express unease or discomfort with the depiction of women in his work. Doyle’s classic, even updated, is very much a man’s world, revolving around the central relationship of Holmes and Watson. Other people may come and go from the story, but they’re the leads.

(Source: se-smith)

via se-smith